Power Station picture number nine million…
The studio has really shaped this year’s Dress Project– lots more jeans and sneakers, lots more late nights, lots of open-hearted folks interested in what the DP is all about.
Speaking of open-hearted artists:
Introducing Friend of the Dress Project (and friend of mine) Katarina Forrest!
Katarina is a multidisciplinary artist who specializes in iconography, painting, embroidery, and performance art. Throughout the month of October, she’s designed and experimented with a variation on the Dress Project challenge. I’ve included work she’s shared on her instagram following her reflection below:
“For this challenge, I chose pants to wear again and again. As a textile artist, I embraced the minimalist journey, and I saw a metamorphosis happen. The pants, a fabric draped over our body, transformed seamlessly with becoming part of me.
In this experiment, I couldn’t help but draw parallels to the ancient Slavic textile narratives. In an era before the frenetic pulse of fast fashion, clothing was not a commodity churned out by machines but a long and tedious labor of love, a story woven with intention. Each garment, spoke about one’s place in the community or society. Colors, ribbons, beads were symbolic. And so were the processes of creating such clothes.
Women wove and sewed in groups, singing, connecting, and laboring together.
In those times, to possess clothing was to be a creator, a weaver of one’s own identity as presented within a community. It was a process that demanded time, patience, and a deep connection to one’s own body, textiles, and also symbols. While reflecting on the theme of minimalism and abundance, I couldn’t help but reflect on the profound contrast between the ancient Slavic approach to clothing and our contemporary, frenzied relationship with fashion.
Amidst the seemingly monotonous repetition of wearing the same pair of pants, a subtle shift occurred. Boredom gave way to gratitude for abundance, and comfort found solace in the consistency of choice. Questions from curious colleagues in my workplace became an unexpected platform to engage in conversations about minimalism and its deeper implications.
Through conversations starting about the same pair of pants, I realized minimalism isn’t a void, but rather a vessel, or a canvas for larger themes of identity. It was a canvas for self awareness. With choosing to dress myself a certain way, I am the creator of culture, of various levels of respect to labor, and I could be a canvas or advocate for important conversations on sustainability, surplus, abundance, and minimalism, So, if you are ever looking for a way to create, you can start with the choice you make on clothes:)”
https://www.masonexhibitions.org/katerina-forrest-art-design-senior-show
Embroidery
Iconography
Instagram: @forrest.creations